In 1932, a great strike paralysed the coalmines of Wallonia and the response of employers and the police had
been merciless. Throughout it all the broader population was ill-informed and
largely indifferent. André Thirifays, Pierre Vermeylen and all the indignant
young people involved in the Club de l'écran, decided to bear witness to this
dire poverty using their weapon, the camera. With the aid of a doctor and a
lawyer, with very little funding, hiding from the police but supported by the
whole population, the shoot took place in difficult and exciting conditions.
The film is hard and has lost nothing of its strength: evictions;
thin-faced and absent-looking children packed together in slum houses; the
procession with the portrait of Karl Marx; the collecting of low grade coal on
the slagheaps at dawn; the begging miner etc.
There is also the shock of images placed side by side:
houses standing empty while homeless people sleep in the street, near-famine
conditions with no aid, whereas big sums of money go to construct a church...
And it was all repeated in the 1960's, with the closure
of the mines. This great picture is by Dolf Kruger.
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