"This portrait of the Shepherd was taken in Spain in 1962. I saw him there amid his sheep. I got out of the car and asked if he would mind if I took his picture. He said no; he was very pleased. But by the time I got my tripod set up and was ready, the sheep had run away. Then something very sad happened. I wanted to pay him. He said he would be very happy to accept a pesata or two, but “You’ll have to put it in my pocket,” he said. “I don’t have hands and I’m also blind.” Then he told me a story. “During the Civil War,” he said, I was right at this meadow and there”—he made a gesture with his head—”where the curve of the road goes, a bomb fell. It cut off my hands. Now I see very little.”
–Evelyn Hofer in Portrait: Theory
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