Olivier Eugene Prosper Charles Messiaen (1908 - 1992) was the son of Pierre Messiaen, a scholar of English literature, and of the poet Cecile Sauvage. Soon after his birth the family moved to Ambert (the birthplace of Chabrier) where his brother, Alain was born in 1913. Around the time of the outbreak of World War 1, Cecile Sauvage took Olivier and his younger brother to live with her brother in Grenoble where Olivier Messiaen spent his early childhood, began composing at the age of seven, and taught himself to play the piano.
On his return from the war, Pierre Messiaen took the family to Nantes and in 1919 they all moved to Paris where Olivier entered the Conservatoire.
From very early on it was clear that Messiaen would be a composer who would stand alone in the history of music. Coming not from any particular 'school' or style but forming and creating his own totally individual musical voice. He achieved this by creating his own 'modes of limited transposition', taking rhythmic ideas from India (deci tala), ancient Greece and the orient and most importantly adapting the songs of birds from around the world. He was a man of many interests including painting, literature, and the orient where he took in not only the musical culture but theatre, literature and even the cuisine of foreign countries. The single most important driving force in his musical creations was his devout Catholic faith.
On his return from the war, Pierre Messiaen took the family to Nantes and in 1919 they all moved to Paris where Olivier entered the Conservatoire.
From very early on it was clear that Messiaen would be a composer who would stand alone in the history of music. Coming not from any particular 'school' or style but forming and creating his own totally individual musical voice. He achieved this by creating his own 'modes of limited transposition', taking rhythmic ideas from India (deci tala), ancient Greece and the orient and most importantly adapting the songs of birds from around the world. He was a man of many interests including painting, literature, and the orient where he took in not only the musical culture but theatre, literature and even the cuisine of foreign countries. The single most important driving force in his musical creations was his devout Catholic faith.
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