He replaced Eldridge in the 'Teddy Hill' Band
after Eldridge's departure. He eventually began experimenting and creating his
own style which would eventually come to the attention of Mario Bauza, the
Godfather of Afro-Cuban jazz who was then a member of the Cap Calloway
Orchestra, joining Calloway in 1939, Gillespie was fired after two years when
he cut a portion of the Calloway's buttocks with a knife after Calloway accused
him of throwing spitballs (the two men later became lifelong friends and often
retold this story with great relish until both of their deaths).
Although noted for his on and off-stage clowning,
Gillespie endured as one of the founding fathers of the Afro-Cuban &/or
Latin Hazz tradition. Influenced by Bauza, he was able to fuse Afro-American
jazz and Afro-Cuban rhythms to form a burgeoning CuBop sound. He toured Africa,
the Middle East and Latin America under the sponsorship
of the US State Department. Quite often he returned, not only with fresh
musical ideas, but with musicians who would eventually go on the achieve world
renown.
With a strong sense of pride in his Afro-American
heritage, he left a legacy of musical excellence that embraced and fused all
musical forms, but particularly those forms with roots deep in Africa such as
the music of Cuba , other
Latin American countries and the Caribbean .
Dizzy's trade markberet and
horn-rimmed spectacles, his scat singing, his
bent horn, pouched cheeks and his light-hearted personality were essential in
popularizing bebop.
like that last photo - i don't know why so many americans think berets are outre, especially for men. they are so versatile and easy, and keep the cranium warmish, and you can fold them up. etc. i got my first when i moved to the french quarter in new orleans, them moved to my present locale in the midwest, when i where a beret here, it stops the cowboys and rednecks dead in their tracks to stare
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