Sunday, January 22, 2017

Jimmy Jump and his Catalan Barretina

His stunts have made him the most famous pitch invader in the world – but, with the prospect of bankruptcy looming, his actions have come at a cost.
Jimmy Jump, a 42-year-old Catalan whose real name is Jaume Marquet i Cot, has disrupted international sports and cultural events across the globe for at least the last decade. He now claims that 50 per cent of his monthly income is being automatically channelled through to unspecified legal authorities, in order to pay off the hundreds of thousands of euros worth of fines collected due to his antics.
“I have no money,” he told the website gazzetta.gr, “My total debt is around $350,000 (£220,000).” Mr Marquet i Cot first hit the headlines when he staged a one-man invasion of the starting grid during the parade lap of a Formula One grand prix at the Montmelo circuit near his birthplace of Sabadell, a town in Barcelona’s industrial hinterland. A diehard Barcelona fan, Mr Marquet i Cot then became a somewhat tediously regular, if uninvited feature of many of that team’s fixtures, invariably wearing his trademark barretina.
Perhaps the “highpoint” of his career, though, came at the 2010 World Cup. Mr Marquet i Cot covered the trophy with one of his barretinas minutes before the Spanish and Dutch finalists took to the pitch.
Also that year, he managed to find his way onto the stage during the Eurovision Song Contest in Oslo, barretina and all.
“I didn’t know what happened until I heard the crowd react,” tennis star Roger Federer said when Mr Marquet i Cot wearing his barretina ran towards him during the French Open final in 2009. “So that gave me a fright seeing him so close.”
“Normally they look at you and say ‘sorry I have to do this’, but this guy looked at me and I was not sure what he wanted. He seemed to want to give me something.” – in Mr Marquet i Cot’s case, a barretina.
On his website, Mr Marquet i Cot says his predilection for barretines is due to the red Phrygian caps’ popularity amongst 1789 French revolutionaries, making them a symbol of liberty. He wishes, he writes, “to communicate the freedom of expression in an world which is increasingly under the control of the media”.

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