Wolf Vostell (1932 –1998) was a German painter and sculptor,
considered one of the early adopters of video art and installation art and
pioneer of Happening and Fluxus. Techniques such as blurring and Dé-coll/age
are characteristic of his work, as is embedding objects in concrete and the use
of television sets in his works.
His first Happening, Theater
is in the Street, took place in Paris in 1958, and incorporated auto parts
and a TV. In 1958, he took part in the first European Happening in Paris and he
produced his first objects with television sets and car parts.
Wolf Vostell was the first artist in art history to
integrate a television set into a work of art. Vostell’s sculptures made from
cars and concrete are to be found in Cologne Ruhender Verkehr (Stationary traffic) from 1969, in Berlin Zwei Beton-Cadillacs in Form der nackten
Maja (Concrete Cadillacs) from 1987 as well as VOAEX (Viaje de (H)ormigón
por la Alta Extremadura) from 1976 in the Museo Vostell Malpartida in
Malpartida de Cáceres, Spain and Concrete Traffic from 1970 in Chicago.
Vostell also gained recognition for his drawings and
objects, such as images of American B-52 bombers, published under the rubric
"capitalist realism" and as a result of his inclusion of television
sets with his paintings. Nam June Paik and Vostell were both participants in
the Fluxus movement and the work of both artists involved a critique of the
fetishization of television and the culture of consumption.
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