
Peaked Cap: for people who don't dare to wear a beret



One of the contemporary musicians/artists that I most admire is singer/songwriter/composer/actor Tom Waits. Whether it's listening to his early records like Closing Time and The Heart of Saturday Night (I still have them all on vinyl), his masterpiece Swordfishtrombones or later experimental albums such as Mule Variations and Orphans - they give me tremendous satisfaction. It is not just the music and his remarkable voice - it's the very human portrayal of the down & out, the underclass of society and, more than anything, I love the little yarns he spins (from Frank's Wild Years to Missing my Son). 

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A researcher in the Ernest Hemingway Collection is Colette C. Hemingway ~ the wife of Sean Hemingway who is the son of Gregory and grandson of Ernest. Colette is an art historian and is currently writing a book on the art collection of Ernest Hemingway. As a result of her research the Ernest Hemingway Library has gained a far better understanding of the significance of a watercolor stored as Oversized Material within the Other Material series. It is in fact a wonderful watercolor portrait of Ernest Hemingway in a beret.
The title on the verso in violet ballpoint pen is “Ernest Hemingway by Antonio Gattorno / 1934.”

Antonio Gattorno (Cuban, 1904-1980) was one of the pioneers of the modern art movement in

Ehrenburg was born in 1891 in Kiev to a non-religious Jewish family. In 1908 he fled Tsarist Russia because of his revolutionary activities. Although he returned to visit after the Bolshevik revolution, he continued to live abroad, including many years in Paris, and did not settle in the Soviet Union until 1941. A prolific writer, Ehrenburg was the author of almost 30 books.

As a Jew and a dedicated Communist, Ehrenburg was a relentless enemy of German National Socialism. During the Second World War, he was a leading member of the Soviet-sponsored Jewish Anti-Fascist Committee. (At fund-raising rallies in the United States for the Soviet war effort, two leading members of the Committee displayed bars of soap allegedly manufactured by the Germans from the corpses of murdered Jews.)
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In 1954, Ehrenburg published a novel titled The Thaw that tested limits of censorship in the post-Stalin Soviet Union. It described a corrupted and despotic factory boss (a "little Stalin"). The boss's wife could not bear to stay with him and left the despot during the spring thaw that gave her the courage, an analogy of Krushchev's 'Thaw' in the USSR.
Ehrenburg was the first legal Soviet author to mention positively a lot of names banned under Stalin, including the one of Marina Tsvetaeva. He was also active in publishing the works by Osip Mandelstam when the latter had been posthumously rehabilitated but still largely unacceptable for censorship. Ehrenburg co-edited The Black Book that contains documentary accounts by Jewish survivors of the Holocaust in the Soviet Union and Poland. Ehrenburg was also active as poet till his last days, depicting the WW II events in Europe, the Holocaust and the destinies of Russian intellectuals.
Ehrenburg died in 1967 of prostate and bladder cancer, and was interred in Novodevichy Cemetery in Moscow,

where his gravestone is adorned with a reproduction of his portrait drawn by his friend Pablo Picasso.
O little town of Bethlehem, the Southern Cross looks down, As once a star shone bright and clear above an Eastern town, The hearts of Bethlehem are cold, the streets are hushed with snow, The doors are locked, there is no room, dear Lord, where will you go? Oh come sweet Jesus, come to us, New Zealand's shores are warm, And here are loving hearts enough To shield you from the storm. Come we will give you all we have, Each bird and flower and tree The breeze that stirs the mountain tops The music of the sea. |
Beret
by Mary Tomlinson
One day, working in the Kangol beret and hat factory in Cleator, Mary got a special hat to ship off to California ...
My name is Mary. I was born in Frizington. I chose this story about Kangol because it happened when I was working there, and I always remembered about the secret. I have always liked writing since my 80th birthday. I have written my life story.
I have enjoyed being with the Group and the Tutors. Everyone is so nice and helpful.
It was an experience visiting Radio Cumbria and Tullie House.
Kangol was the famous beret and hat factory in Cleator where I worked as a young woman.
Mrs Gregg’s room was for “end products” where we verified the berets and packed them for sending abroad. Mrs Gregg herself was the designer, a very nice woman who the girls all liked.
Mr Meisner and his uncle brought the business here from France and gave employment to many people. The wages were not good, but machinists earned more as they were on “piece work”.
I loved watching the process of making the berets from start to finish; it seemed very complicated to learn, but berets were becoming very popular and we also made them for the Forces.
One particular memory I have is from the Queen’s Coronation in
1953 when we had an order from the Gurkhas for a pill-box type of hat with large chinstraps. For this the firm received the Queen’s Award for the first time and all employees were given a a five-shilling piece as a souvenir.
So, when they started making hats for civilian men, not just ladies, business really started booming! I remember that when Kangol advertised their hats, their slogan was “Kangol, cute from every angle.”
Mary
One morning, Mrs Gregg approached me and asked me to look for a perfect white beret, and to sew into the white satin lining, which was stamped with gold lettering, “Anglo Basque - made in Cleator, Cumberland.” It was examined and I put it in a box lined with tissue paper and sealed it. She gave me the label and said, “Mary, I will let you into a little secret. This beret is going to Universal Studios in California, for Miss Bette Davis, to wear in her next film.”
I kept this secret for decades until we were writing the book about the history of Frizington when I was told it was my claim to fame! I had never thought of it in that way; it was just a secret I had kept … for all those years.

Agustín Ibarrola (born 1930) is a Spanish Basque painter and
sculptor, well known for his 'Enchanted Forest' of painted trees in the Forest of Oma (in the Spanish Basque Country).

Being Basque himself, didn't protect Ibarrola from the fanatics in the ETA, who
denounced him as a "Spaniard" and an "Honorary Fascist", terrorized him and his
wife and vandalized his artwork.
Since these accusations refer to the artist's politics, rather than to his work, you might think that Ibarrola represents some vestige of the old regime, but the contrary is true: being an ethnic Basque, born in a traditional basseri (traditional Basque farmhouse) and always donning his txapela, he was a militant anti-fascist and member of the Communist Party (for which he spent many years in jail under Franco and in exile in France).

What the ETA doesn't like is his outspoken criticism of violence, his joining anti-terrorist platforms like Basta-Ya where his condemnation of the ETA turned into condemnation of Basque nationalism in general. The sad truth is that condemnation is wider than just within the ETA, but much within local politics too.
I much admire Agustin Ibarrola; for his work and his morals.
Happy to announce that they are in, finally, the beautifully made Cotton Basque Berets from Bonigor, Buenos Aires, and just in time to get your Christmas presents organized!








It never fails to amaze me how popular the stereotypical Frenchman is, all over the world, in his striped shirt and with a beret on his head. At least this one doesn't have a cigarette hanging from his mouth or a baguette under his arm. Probably unintentional, the homie does a good copy of an American stereotype with the baseball cap backwards and his NY-Tee, but then, this is becoming a much imported stereotype outside the US too...




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