Hodgkins’ early work has been described as influenced by ‘impressionistic concerns of evoking light, colour and atmosphere.’ In her formative years she tended to focus on familiar and domestic settings, working mainly in portraiture. From the late 1930s she began to explore new approaches in her use of iconography, colour, composition and style.

Still life: self-portrait is a decorative arrangement of the artist’s posessions: her beret, scarf, shoes and bag. Hodgkins avoids using her own features and instead integrates objects into a flattened abstract formula.
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